Accounting and Financial Fundamentals For Your Guitar Effects Business

This little essay on how to play bass guitar is aimed at the guitar player who needs to enter some kind of witness protection program but still maintain a tenuous connection with the world of music. This has proven to be a great way to keep your anonymity while staying in the public eye. The bass guitar player in a rock band maintains the rhythm of the song while the lead guitarist is checking out the chicks in the audience, and the drummer is recalling what decade he is in. To change to this subservient but useful role in a musical group requires a little understanding of the difference between a bass guitar and a real guitar together with some idea of bass guitar playing technique.

Theoretically any guitar player can switch from lead to bass although only one guitarist of note - Greg Lake of Emerson, Lake And Palmer - made a career out of it. It was rumored that he thought it would be a good way to stop attracting women. Actually he constantly switched between lead and bass while maintaining his position as lead singer. Clearly a guy with issues.

Anyway let us get onto the main features of a bass guitar. The standard tuning of a four string bass guitar is E A D G. The tunings are similar on the five string bass except for a low B string, and on a six string except for a high C string. So on a 6 string bass the tuning is B E A D G C. There are also seven string basses with a high F string.
There are several ways you can tune a bass guitar but as they are the same as those used to tune a regular guitar, I will not mention them. As with other guitars you tune the bass guitar by loosening the string and tuning up to the note you are aiming for. Tune each string separately being careful to match the sound of the string to your bass guitar tuner. While we are on the subject of tuning, be sure to do a search for a free online bass guitar tuner.

On the electric bass guitar, the music is made by plucking with the index and middle fingers or with a pick. Early Fender basses had a "thumbrest" attached to the pickguard, below the strings. This was to rest the fingers while the thumb plucked the strings. The common perception is that the pick is used by rock bass players but players of all styles have their own individual techniques, sometimes using thumb, fingers or pick according to the sound they want. The guitar can sound different if all upstrokes, all downstrokes or alternating strokes of the pick are employed.

Some bass players such as Les Claypool and John Entwistle played using their fingernails similar to a classical acoustic guitarist. There is controversy among musical historians over whether bass guitarists who pluck with their fingers are innovators who have explored new horizons or they simply were not told about plectrums.

Playing the bass guitar needs a certain amount of speed and dexterity, and bass guitar music will demand that you develop your own style. For inspiration listen to the most popular and influential bass players of past generations such as Paul McCartney, Pino Palladino - the replacement bass player for John Entwistle in The Who, Flea of the Red Hot Chili Peppers, Jaco Pastorius - called by many musicians the most innovative bass player ever, Mark King - a very fast English bass player, and John Paul Jones of Led Zeppelin.

Ricky Sharples has been playing guitar his whole life, and is presently engaged in building a blog called Learn How To Play A Guitar For Free Ricky's blog features free tools, lessons and resources for guitarists of all ages and stages. Ricky updates the blog regularly so if you are interested in learning to play guitar there will be an enormous variety of tip, tools and tutorials for you.

OmniSistem Omni Spot 250 Moving Yoke DMX Lighting Effect

The Pilot 250 is an innovative projector with an elegant housing made from high intensity and heat resistant complex plastic. It utilizes the international protocol DMX-512. It can be used as a stand-alone unit or linked to a controller, so it is suitable for many different applications. The Pilot 250 features 9 colors plus white on the color wheel; 2 gobo wheels, one with 7 indexable, interchangeable rotating gobos, one with 7 interchangeable fixed gobos; DMX controlled focus; a 3-facet rotating prism; and 3 beam angles. The prism channel also has pre-programmed "macros" giving automated selection of prism and gobo combinations for easy programming and operation. The pan and tilt motor speeds are adjustable. Another cool feature is the abilty to switch the lamp on and off and reset the unit remotely. The pan and tilt have encoder wheels allowing auto position correction. A 2-blade shutter provides dimming and strobe effects.

People often pose the question "what makes metal... metal?" Well, firstly, for posing such a vague question you deserve to be shot! But I'll try my damnedest to make the point...

Metal guitar playing comprises of many features, techniques, tricks, or whatever you want to call them. You'll often find that guitarists will form their own little niche where they excel in one particular area, no different from a footballer's flare or a chess player's technique, and eventually it becomes part of their signature sound. However, the idea is to be a well-rounded player before you find your niche.

I've noticed nowadays that some people make the mistake of jumping ahead, and go straight onto trying to shred as fast as they can, locking themselves away in their bedroom practicing scales to a metronome, but they don't have a creative bone in their body, and if you asked them to write something they'd be stuck! Not to mention their technique tends to be under par, because they don't have the foundation to build on. Solid rhythmic techniques are the foundation of any guitar great. Without it you have no sense of feel and groove, and it's imperative if you don't want your playing to be mechanical and lifeless!

By all means shred, but you'll find the timing so much easier if you have a tight discipline in rhythm. You don't run before you can walk, in other words. I also feel nowadays that a lot of flare has been taken out of guitar riffs, and they're used purely as a stepping stone to get to the next shred passage, or a random section of sweep picked arpeggios are thrown in for good measure. A riff is the main body of the song, it's the bit you remember, and it's the music! If it's not grabbing people's attention, it's not catchy, it has no 'hook' and it's just generic, then you need to revise what the riff is all about!

To find out more about how to play heavy metal guitar, and to grab some great heavy metal guitar lessons, simply follow the link below

Heavy Metal Guitar Lessons